CD

Weyes Blood And In the Darkness, Hearts Aglow (Sub Pop Records) In her current incarnation as pop songstress, musician Weyes Blood may have produced the definitive post-Covid album. Sweet melodies, lush orchestration and a beautiful voice combine to express the relief and pleasure of passing through the crisis. The instrumentation is standard pop — piano, guitar, synthesizer washes, arranged into sweeping waves of music. Weyes Blood has claimed “church music” as a great influence on her work, which is a...

Anti-Flag Lies They Tell Our Children (Spinefarm) It might sound a little counter-intuitive but, throughout their career (which has run for thirty-five years now – as of this writing), Anti-Flag has always proven to be at their best when people have already counted the band out – that’s when they have something to prove and that’s when they shine. Most recently, the band shone after they’d finished their two-record contract with RCA and the band released The People or The...

Lou Reed Words and Music, May, 1965 (Light In The Attic) One question repeatedly comes up in writers’ groups, especially with beginning writers: “How do I copyright my work?” I resist the temptation to say, “Do you really think someone is going to steal your poetry?” and tell them, “Mail it to yourself.” As long as you don’t open the package, the postmark establishes that you wrote the enclosed material on or before that date. Lou Reed did that with...

A deeper look at the grooves pressed into the LP+CD reissue of Live! by The Dils. While plenty of punk bands have been well exposed since the public became interested in learning about the early days of the L.A. punk scene (X’s catalogue has been reissued by Fat Possum Records, Porterhouse reissued (MIA) by The Germs and other labels have reissued titles by The Avengers, The Bags and The Runaways too), the truth is that giving all of the talent...

Reverend Beat-Man and The Underground It’s A Matter Of Time (Voodoo Rhythm Records) It doesn’t happen every day but, every now and again, an album sometimes comes along which is just so fucking weird and good that it totally short circuits listeners’ synapses and leaves them wide open to the possibility of being both won over and perverted all at the same time. Such an idea may leave those unfamiliar with the potential value of such albums with the impression...

Jon Spencer & The HITmakers Spencer Gets It Lit (In The Red Records) As he has been famous for doing since he first founded the Blues Explosion in 1991, Jon Spencer has succeeded in confounding his fans by including a couple of songs which didn’t appear on the vinyl release of his newest album, Spencer Gets It Lit, on its CD counterpart.Fans may be less than surprised at Spencer’s choice (the guitarist has a long history of augmenting the track...

The Dirty Nil Fuck Art (Dine Alone Records) Rare is the band which knows precisely who they are and actually celebrates that identity rather than asking listeners to excuse it. There’s a certain spark in the music made by bands like that – Alice Cooper Group had it, as did Dead Kennedys, Eagles of Death Metal and Green Day – and The Dirty Nil steps up boldly to prove that they’ve got it with their third album, Fuck Art. Of...

A deeper look at the grooves pressed into Territories’ “Short Seller” CD Record. On paper, my mind wobbled at the idea of this release. “This is a playable vinyl record made using a CD press,” proclaimed the press release which accompanied my review copy of Territories’ “Short Seller” CD Record. “CDs are dead. Long live vinyl.” While I was curious right away, I was also hesitant. History had taught me that any new music format – no matter how good...

Sass Jordan Racine Revisited (Linus Entertainment) Twenty-five years ago, Sass Jordan made her first big breakthrough onto Canadian radio airwaves with her sophomore album Racine. It was very much a “right place, right time” kind of moment; with bands like the Black Crows and singers like Melissa Etheridge holding a whole lot of time and space on playlists around the country, Jordan fit right in with the time and tastes of a mainstream rock radio audience who was still hearing...

Artist: Baby In Vain Album: More Nothing Label: (Partisan Records) After seeming to appear from nowhere with an EP which was capable of absolutely levelling listeners even if they did see it coming with pure unadulterated Riot Grrl power last year, it’s unlikely that fans of Baby In Vain expected to see a full-length album appear so soon – but the band is not only back with a full-length album now, they’ve found ways to further refine their sound in...