A deeper look at the grooves pressed into the Cold War Classics Vol. 2 LP by Alabama 3. Before anyone gets nervous about what they might have missed, it’s important to point out that Cold War Classics is not the first Alabama 3 album to feature the erroneous numeric identifier Volume 2 (2002’s acoustic experiment Last Train to Mashville was listed as a Volume 2 as well – although there was no “Part 1” in that case either) – they’ve...
Son Henry & T. Rogers Band Grace (Twang House Records) In 2009, American blues musician and lap steel virtuoso Son Henry arrived at a music festival in Estonia with only his lap steel. The rest of his equipment was stuck at Heathrow Airport, where it remained for six months. He was rescued by T. Rogers band, “a group of mad Hungarians,” as he put it. They loaned him equipment and gave him stage time. A lifelong connection was established. Ten...
A deeper look at the grooves pressed into the Ill-Fated Cusses LP by Cheater Slicks. After the last couple of decades (basically, from 1996 forward) which have seen the release of a multitude of great albums recorded with digital platforms (like ProTools, for example), it’s refreshing to hear a band just plug in, put microphones in front of amplifiers and record their songs – straight, no chaser. That’s precisely what Cheater Slicks did for their new album, Ill-Fated Cusses; for...
A deeper look at the grooves pressed into the Rock Bottom Rhapsody LP by Pokey LaFarge. Listening to Pokey LaFarge’s ninth album (first for New West Records, and first I had ever heard) had a very strange effect on me. I knew the sound had me interested right away but, before even the A-side if the album had played through, I had already picked up my laptop and found out everything I could about the band. I looked up all...
A deeper look at the grooves pressed into the Prayer For Peace LP by North Mississippi Allstars. The terms and conditions for being regarded as an “artistic dynasty” are vague and often vary from band-to-band but, without question or argument, the Dickinson family fits the bill. First, there was Jim Dickinson; for forty-six years, Jim Dickinson was present in one capacity or another (either as an “artist” or as a “producer”) to help realize some of the greatest blues albums...
A deeper look at the grooves pressed into the Exit Stencil reissue of the Sings Blues and Hymns LP by Cat-Iron. In my life, I have had three perception-altering experiences with the blues. The first was when I heard Howlin’ Wolf; when I first heard the moans and growls which came off songs like “Smokestack Lightning,” it rattled me to the core and hooked me with the inherent danger of it. The second time the blues changed my life was...