album

Lou Reed Words and Music, May, 1965 (Light In The Attic) One question repeatedly comes up in writers’ groups, especially with beginning writers: “How do I copyright my work?” I resist the temptation to say, “Do you really think someone is going to steal your poetry?” and tell them, “Mail it to yourself.” As long as you don’t open the package, the postmark establishes that you wrote the enclosed material on or before that date. Lou Reed did that with...

WHO: Colleen Green WHAT: Cool WHY: They don’t come much catchier, chiller, breezier, and harmonically lovely than Cool. And we’re not just saying that because Colleen Green is a local gal. In her latest effort, Green’s focus is to satisfy and cater to your sweet tooth, whether you’re 2 or 82. There are highlights on this album (I Wanna Be a Dog is just a chef’s kiss), but regardless of where you look, these 10 tracks are fun, poppy, and…cool....

Reverend Beat-Man and The Underground It’s A Matter Of Time (Voodoo Rhythm Records) It doesn’t happen every day but, every now and again, an album sometimes comes along which is just so fucking weird and good that it totally short circuits listeners’ synapses and leaves them wide open to the possibility of being both won over and perverted all at the same time. Such an idea may leave those unfamiliar with the potential value of such albums with the impression...

A deeper look at the grooves pressed into NEEDLES//PINS’ self-titled album. There is something particularly special about self-titled albums – the unspoken rule is that, when a band puts its name on an album like that, it is intended to exemplify just exactly who that group is at its core. A self-titled album is a statement of a band’s personality as well as a statement of intent; bands always stand behind their output – even if only for the moment...

A deeper look at the grooves pressed into the Tea Party Revenge Porn LP by Jello Biafra and the Guantanamo School of Medicine. Ignoring the fact that Jello Biafra and the Guantanamo School of Medicine really missed the opportunity to address the activities of the Trump administration and of Republicans in general (seriously – there was no new music from the band between 2014 and 2020 – how the hell did that happen?), it’s impossible to ignore the value of...

A deeper look at the grooves pressed into Blood Lemon’s self-titled debut album. The beauty of great music – I mean truly great and timeless music – is that while listeners will feel as though they can easily pick out aspects of what they’re hearing and place it among other excellent or classic works, they’ll also breathlessly enthuse about how original that album is too. Listening to Blood Lemon’s self-titled debut album is just exactly like that; from note one,...

A deeper look at the grooves pressed into the Hum LP by Alain Johannes. It’s about time guitarist, songwriter, producer and engineer Alain Johannes got around to releasing another solo album (his solo debut, Spark, came out in 2010 and his sophomore album, Fragments and Wholes vol 1 came out in 2014 – so he’s due). Johannes’ career in the music business actually began in 1984 (with What Is This, the band he started with former Red Hot Chili Peppers...

A deeper look at the grooves pressed into the limited edition “Gratuitous Red” pressing of the Born Stupid LP by Paul Leary. When vinyl records made their return as one of the foremost music media in or around 2014, a lot was discussed regarding the difference in the sound and fidelity of vinyl and pretty much everything else on the market, at the time. It was an exciting moment; vinyl sales went up 280 percent from what they’d been in...

The Dirty Nil Fuck Art (Dine Alone Records) Rare is the band which knows precisely who they are and actually celebrates that identity rather than asking listeners to excuse it. There’s a certain spark in the music made by bands like that – Alice Cooper Group had it, as did Dead Kennedys, Eagles of Death Metal and Green Day – and The Dirty Nil steps up boldly to prove that they’ve got it with their third album, Fuck Art. Of...

A deeper look at the grooves pressed into the 2LP Rocktober edition reissue of Ritual de lo Habitual by Jane’s Addiction. I must confess that, when I learned Warner Brothers Records was reissuing Jane’s Addiction’s third full-length album as part of their Roctober promotion, I got really, really excited. In fact, excitement barely even begins to qualify the wealth of sensations that I felt when I heard about it; the number of memories that I have associated with Ritual de...