Swingin’ Utters Middle East Downstairs – Cambridge, Massachusetts, October 18, 2018. Live Behold the Swingin’ Utters. I mean, seriously, look at them. Have you ever sat down and thought about this band? They’ve been around for nearly 30 years and have managed to stay active and relevant throughout their entire career, despite the name. And they really have a lot going against them. The Utters got their chops as a street punk band, who would not necessarily cater to an...

Hereditary In a way, I feel bad for the movie Hereditary. Partly because it’ll never get the feedback it deserves for its creators to really make a great follow-up, but also because this is a perfect example of a movie killing itself through its own advertisement. Before it was even released, Hereditary was presented as the new scariest movie of all time, the new Exorcist, and how watching it will basically ruin your life because it’s so scary. And...

A deeper look at the grooves pressed into the Porterhouse vinyl reissue of the Saturation LP by Urge Overkill. Quick history lesson: By 1992, Urge Overkill had already established itself both in the fairly unforgiving Chicago music scene and on the North American college radio circuit with the help of albums like Americruiser and The Supersonic Storybook. Not only that, the band had cut a fairly striking and peerless image; unlike so many other alt-rock groups who preferred to mix,...

Hits and Misses: Stories by Simon Rich A little insider info for you, dear reader, but sometimes we get unsolicited stuff from publishers. Sometimes, they’re not really our cup of tea. Instead of reviewing something we’re not too hot about, we skip it. Other times, we get a book completely out of left field that we absolutely love. That book is Simon Rich’s Hits and Misses. We had no idea who Simon Rich was and the joke’s on us, considering...

Jon Spencer Spencer Sings The Hits (In The Red Records) In Jon Spencer’s debut solo album, Spencer Sings The Hits, fans will find a genuine and true revelation about both the singer and his music. Here, they’ll finally get a sense of what portion of the music to which he has contributed over the years (with the Blues Explosion, Pussy Galore, Boss Hog, Heavy Trash, Spencer Dickinson and so on) is actually his; it will suddenly become easy to see...

WHO: Superchunk WHAT: What a Time to be Alive WHY: It’s not just that I love this album by Superchunk. It’s that I tried getting into them with their selftitled debut with marginal success, and decided to give this new one a chance, and put in the time, and it just snuck up on me one day and hit me, and now I can’t stop listening to it. What a Time to Be Alive is full of catchy punk tracks...

Beach House 7 Photo: turntablelab.com Of all the ridiculous musical genres and subgenres, the one I’ve grown most pleased with is dream-pop. A long time ago, Mike Watt told me that musical genres are just something someone at a record label came up with to make their job easier. I haven’t quite found it to be that, exactly. Genres are important for listeners because it helps us find what we’re looking for. That said, there have been some subgenres so...

A deeper look at the grooves pressed into the Things Change LP by American Aquarium. Usually when I’m reviewing vinyl records, I try to present my thoughts in a linear manner – from front to back, A-side through B-. In my mind, it just makes sense; unlike on CDs (where it’s really easy to jump around from song to song as a listener likes), records play best song-by-song and bands usually go out of their way to take that into...

A deeper look at the grooves pressed into the Karma For Cheap LP by Aaron Lee Tasjan. The single greatest problem from which Karma For Cheap (and it’s auteur, Aaron Lee Tasjan, by extension) suffers is that it’s just too polished and the the seams on it are too air-tight. For that reason, it’s difficult for listeners to not meet the music with more than a little bit of suspicion. This is precisely the same problem from which artists like...

Predator 3-Movie Collection I remember a time when Predator was not just a scary movie but also a cool one. It had all the right ingredients: military heroes, Arnold Schwarzenegger, a contra-like scenario, aliens, cool visual tech, and a squid-like monster with what clearly were supposed to represent dreadlocks. It also gave us a cool shot of muscled arms clutching each other. The backdrop of Predator is very simple both in setting and colors: a claustrophobic jungle...