WHO: Down By Law WHAT: Lonely Town WHY: One of my loves when I was coming up in my punk days that I keep falling for every time they release a new album. As one of the best bands to surface from the Epitaph 90s era, Down By Law has kept going for more than 30 years, still releasing their own brand of pop punk. It’s also a very special era in Down By Law history as the punkrockacedmyfightsong lineup...

Universal Classic Monsters Icons of Horror Collection Welcome, dear readers, to a very special and very spooky edition of TV Party Tonight! Sometimes, the stars just align into a collective beautiful moment, and this time, it did just that with our special coverage of the Universal Classics Monsters collection 4K box set. I’m not exactly a movie guy, but I’ve been trying to become one. And one way to do that is to indiscriminately watch anything on the Criterion...

F9: The Fast Saga We love the number 9! If there ever was a global hit franchise, it’s the Fast and the Furious series. They were certainly the underdog at first, but the franchise knew how to play it smart. We’re used to thinking of movie successes as being domestic, but these guys are thinking globally. First off, they knew to include continental superstars which would attract a worldwide audience. Sure, this came out in pandemic times, but it...

WHO: The Bronx WHAT: The Bronx VI WHY: The Bronx don’t have a single bad album. Not many bands can claim that. Fewer punk bands still. Bronx VI brings with it everything good that you’d expect from an album. It’s riff heavy, it pounds mercilessly, it simmers and builds, it’s filled with great musicianship on every level, and it knows not to take itself seriously. That threatening aura is still there, but this time, you can sing along to it....

A deeper look at the grooves pressed into Plizzken’s …And Their Paradise Is Full Of Snakes LP. The fact of the matter is that, in punk circles, no one wants to be a “middle of the road” kind of band. Why? Well, as Dwight Eisenhower once said, “The middle of the road is all the usable surface. The extremes, right and left, are in the gutters,” and it is in those gutters (or teetering on the brink of them) where...

A deeper look at the grooves pressed into Mastiff’s Leave Me The Ashes of the Earth LP. There has always been something which felt a little off about really aggressive metal (or Doom, or Sludge, or maybe Metalcore – pick your favorite undervalued sub-genre) – as greasy, heavy or dirty as it might get, there’s always an inherent clarity about the recordings. Even when the vocalist in a band like that is leaving his throat/larynx/esophagus on the recording studio floor,...

Photos by Paul Espinoza...

Cobra KaiOriginal Soundtrack 3XLPby Leo Birenberg & Zach Robinson Welcome to a very special edition of the Vinyl Vlog. Special for a few reasons. Not only are we featuring one of the coolest pieces of vinyl on the planet, but it also commemorates our reunion with Mondo Tees as a collaborator. Mondo is a company we’ve featured on the site in a variety of ways. We’ve featured their clothes (some of the finest prints around), their vinyl (hint hint), and...

A deeper look at the grooves pressed into the Young Shakespeare LP by Neil Young. One of the more interesting things that has happened since the CoVid pandemic basically put the entire North American live music schedule up on blocks for a while has been the outflow of live releases which have appeared – a cultural moment at which Neil Young has been the centre. Releases like Way Down In The Rust Bucket, Return To Greendale and Tuscaloosa have afforded...

A deeper look at the grooves pressed into the Exit Wounds LP by The Wallflowers. Who wouldn’t love to be Jakob Dylan? Since first appearing with The Wallflowers in 1992, Dylan has kept a “when I feel like it” mentality about his schedule of new releases (seven albums in twenty years – with nearly decade-long breaks along the way – is the definition of “when I feel like it”) and gotten away with it because he happens to be a...