It's been eleven years since Placebo struck platinum with “Pure Morning” – essentially a celebration of substance abuse, STDs and the morning after – and then promptly vanished from sight. For those that weren't sure, the reason it happened was because the band was just too novel for its own good; they looked like Jane's Addiction (or tried to) but sounded about as masculine as the Violent Femmes backed with a wall of synthesizers and, while there has been no...

Thirteen years ago, while she was riding high on the mass acclaim that Rid Of Me and To Bring You My Love afforded her, Polly Jean Harvey exerted a little creative freedom and knocked out the raw, rough-hewn Dance Hall At Louse Point with John Parish. That album was a revelation; still angry and still emotionally injured, Harvey showed that she was still vulnerable too and, amid a much softer, more homegrown backdrop, proved that she was still be all...

As good as so much of the music that came out of the Nineties might have been, trying to trace the lines of influence that any band from that period had on current taste is no easy feat. Of course, people continue to toast Nirvana as having had a modicum of historical validity and there's no doubt that Alice In Chains proved to leave a spectacular and lasting impression that remains felt on pop radio (Godsmack, Theory Of A Deadman,...

At some point in its runtime, every great and deliriously medicated film noir made in the last twenty years seems to feature montage footage of eerie,  disquieting desert scenes that convey the desperation of those surroundings (think Fear And Loathing In Las Vegas, U-Turn, The Doors and Natural Born Killers just to name a few). Common features to these montages tend to be images like a dead armadillo on the side of Route 666, scorpions fighting over territory or Gila...

What is the connection between Warner Brothers Records and Epitaph? Since Epitaph bands began jumping to major labels (including Bad Religion, Rancid, The Distillers and more – the exception being The Offspring, who went to Columbia in 1996), they consistently find a homes at Warner or some sub-label of the company and (recently) vice versa as Reprise mainstays Green Day reissued their first two albums on Reprise in North America, but Epitaph everywhere else in the world. Why is that?...

Every so often, the Gods of Metal smile down upon the masses and offer up a tour that is so packed with nothing but stellar bands that it almost seems too good to be true. Tonight's bill of Warbringer, Belphegor, Exodus and Kreator definitely fit that description, and I made sure to get myself down to Slim's to be at the epicenter. Unfortunately some minor problems at will call kept me outside the venue for much of Warbringer's set, but...

At this point, it has been six years since last Rancid released an album of all-new material but, as every fan knows, it's not as if the band's members languished in the interim. While a B- and C-sides compilation kept the home franchise alive, singer Tim Armstrong continued working with The Transplants and stretched into musical regions that punk had never touched before as well as proving that a punk could age gracefully but still play to his strengths in...

Sometimes a good, extended break is just what a band needs to recharge and, while none of Tortoise's members sat idle in the five years between the release of It's All Around You and Beacons Of Ancestorship (side projects abounded including work with The Sea And Cake,  Exploding Star Orchestra and  Azita Youssefi to name just a few), there's no arguing that the band has returned fresh, potent and virile on Beacons Of Ancestorship. The band doesn't waste a minute...

Over the last few years (pretty much since 2005's Blinking Lights And Other Revelations came out), much has been made of both Eels frontman Mark Oliver Everett's unusual upbringing (thanks, in no small part, to the singer's autobiographical book, Things The Grandchildren Should Know) and his band's ethereal/otherworldly musical voice that seamlessly combines delicacy, heartbreak, catharsis, dizzying confession and smart-assed sarcasm and does it within a mix of thoroughly unusual and surrealistically arranged pop songs. Meet...

It's been sixteen years since Cracker's sophomore album, Kerosene Hat, and its hit single, “Low,” catapulted the band to rock superstardom for an exceedingly long blink of an eye. If ever a tune came along at precisely the right time, it was “Low” – with weepy, tone deaf and whiny vocals and a noir country guitar arsenal at its disposal, “Low” fit very neatly in between the monster hits of Weezer, Danzig, Lenny Kravitz and Nirvana on the play lists...