After an extended period of rejection (cursed Pizza Hut), side project involvement (The Gene Ween Band, drummer Claude Coleman's solo endeavor, the list goes on), worry and frustration, Ween has finally reconvened for its first proper tour since 2008 – a short jaunt up the West coast. In addition, Dean Ween was recently quoted as saying that the band has begun rehearsing for a new studio album which will probably also be released in 2009. Friday, Aug 28Les Schwab AmphitheatreBend,...
Sophomore albums are hard to please. You hear a debut album and decide if you are a fan or not. And then for the second release, you half expect the same style and sound just with a fresher vibe. MUTEMATH really took a drastic approach with Armistice and changed up what we thought would be the natural progression of things. After the initial surprise, Armistice is still experimental in the way that they combine eight different genres, but sounds a...
It's been two years since Collective Soul released an album and eight since the band began experiencing personnel problems (lead guitarist Ross Childress left in 2001, and the band is on its third drummer since 2004) but, from the moment “Welcome All Again” crashes through speakers to open the record, there isn't anyone listening that would know it. Brimming with totally refreshed urgency, “Welcome All Again” feels like the anthem that long-time listeners have been hoping for since the band...
When Matisyahu first burst onto the international scene in 2006 with Youth, there weren't many that could believe what they were looking at. Really – a Hasidic Jew emcee inspired by equal amounts of reggae, hip hop and religion? It was easy to understand the disbelief – particularly given the 'more is more,' rat-racing tenor of the mainstream hip hop culture at the time. It didn't take too long for Matisyahu (born Matthew Paul Miller) to break through to listeners...
“If you can't beat 'em, might as well join 'em.” Since the advent of legally questionable online downloading and the general pilfering of the music industry's wares began to get a head of steam behind it about thirteen years ago, said industry has run in a panic toward every outlet and used every angle it can think of to either quash, control or assimilate the X factor that this obviously public forum represents, as well as the black market trading...
About ten years ago, the playlists of modern and alternative rock clubs swelled with rhythmically-centered and aggressive electro-rock groups. Some called it nu metal but, really, bands including Powerman 5000, Hed PE, Nickelback, Filter, Disturbed, Linkin Park and Limp Bizkit were all simply following Korn's leader to platinum sales and (fleeting, for the most part) massive acclaim. Without meaning to sound condescending, it was a good time to have a bad attitude, mental anguish and be angry and resentful of...
Contrary to what The Rolling Stones said forty-four years ago, sometimes it is the song, not the singer and the proof of that indisputable truth lies in the nineteen tracks that make up Classics – the new album by Rhythms del Mundo. On paper, it's easy to balk at the presumptuous nature that Classics upholds because the songs on it are indeed classic; entirely comprised of covers, the likes of Michael Jackson, The Eagles, Lou Reed, Jack Johnson, David Bowie,...
More than any other art form, rock music needs its fans. Its power, its very raison d'etre, is dependent on fans. Poets can scribble away in their attics, painters can stand in a field alone and paint. Even movies and television, seemingly social art forms, put a screen between the art and the audience. But a rock musician without an audience might as well not exist. On a basic level, fans created rock'n'roll—or at least midwifed it into existence. They...
To say that singer Ryan Dahle has spent a significant portion of his career immersed in a series of unfortunate events betrays a gift for understatement. To begin with, the singer/guitarist's first project that drew significant notice, Age Of Electric, imploded under the weight of co-founder Todd Kerns' ego. Then his celebrated side-project-turned-main-squeeze, Limblifter, was derailed by Dahle's brother (and Limblifter drummer) Kurt's shenanigans. At every turn, Ryan Dahle has encountered another significant obstacle in the...
A couple of years ago, when The Grates appeared as the biggest of independent blips on the comically over-sized pop music radar, it looked like they had it made. Sporting kamikaze riffs that gave listeners that seemed like they might be able to demolish everything in their path but held at bay by the virtuous, post-punk Disney delivery of singer Patience Hodgson, songs like “I Won't Survive” and “19 20 20” established the band in their native Australia. That assault...