Artist:Fat Wreck Chords label site Fat Wreck Chords unofficial wiki Downloads:Against Me – "You Look Like I Need A Drink" – (demo) later re-recorded for Against Me! as the Eternal Cowboy Anti-Flag – "Turncoat" – The Terror State Descendents – "'Merican" – Cool To Be You NoFX – "It's My Job To Keep Punk Rock Elite" – (demo) later re-recorded for War On Errorism Rise Against – "Heaven Knows" – Revolutions Per Minute The Dickies...

Those moments when a band realizes its potential are the ones that seem to make everything worthwhile aren't they? When a band first gets noticed, it's usually for a reason – be it because of talent or timing – but every fan knows (or hopes) that, one day, the dings and imperfections in that early sound will get hammered out. After that, the band will eventually achieve a sort of serene moment where they produce music that speaks to those...

Recently, Weezer released their seventh studio album Raditude, which could have been more aptly titled “The Curious Case of Rivers Cuomo.” As bands get older, they mature; either setting or bucking trends with original wordplay and instrumentals. Cuomo and his band, however, seem to be tripping backwards in the sound-time continuum. Just like Brad Pitt, Weezer seems to get younger sounding every day. And their music is feeling the growing pains. Their debut release made them underground rock darlings. Songs...

There's a certain satisfaction to be had when, without really having to work hard to look for it, things just go right. Especially in the realm of pop music, such a charmed experience doesn't always happen easily; on any given day, any band can regale audiences with stories of the tormenting and frustrating events that accompanied or surrounded the creation of their most recent album. Things do not often just fall into place and there can be some hard, nerve-wracking...

The eternal tragedy of rock history is just how little mention The Stranglers get in any tome that talks about the punk and rock music which crashed out of the United Kingdom in the late 1970s. Bands like the Sex Pistols, The Clash and The Buzzcocks always get ample examination and there's no arguing the validity of those bands' contributions but (with the exception of The Clash maybe), in listening to them,  it's easy to conclude that a lot of...

It's incredible how much musical values can change depending on what genre a band gets classed under. Obviously retro styling is almost universally abhorred in pop unless such trappings are used to instill a sense of irony, while rock tends to revere them. In punk, whenever a band looks back to either check where their motion is headed or pull a little more than their share of old school information to the forefront, the reception can be very touch and...

It’s a special moment in one’s life when a band “changes the game” for a listener. By “changing the game,” of course, I mean opening their ears to a new genre. Drag The River did this for me and country music approximately eight years ago when I first heard them. Being a stubborn punk at that age, I refused to listen to anything but punk rock. It took a band of Drag The River’s pedigree (since they contain members flavored...

It has been said several times over that the best way to interview Mike Watt is ostensibly introduce yourself, ask your first question and let the tape run. The bassist doesn't so much 'interview' as 'spiel' everything one could possibly need to know about any given subject out and thereby giving the interviewer plenty to work with – but there's a catch. Watt's a nice guy and will tell you anything you want to know, but interviewers need to know...

It has been said just often enough at this point that it could be taken as gospel: “Necessity is the mother of invention” but no one truly revels in that sentiment more than Mike Watt. First as the bass player for The Minutemen and then as the bassist in fIREHOSE, Watt helped to usher in a new approach to his instrument both in the context of punk rock and rock n’ roll in general. While other players of the same...

Jim Morrison once said that some of the best songs (and many of those that The Doors wrote) focused on the themes of love, death and travel – or a combination of the three. When one stops to think about it, there is a grain of truth in the notion; love and death can be inspiring sensations because they represent promises of loss or gain (or both – depending on your view) on a personal level, but travel represents something...