Seeing The Descendents play sent me into an ecstatic orbit like only a few concerts have before. I had already been a fan of the band for a while by the time they reformed in 1996 and released Everything Sucks, but that record really connected with me; the band I started in high school covered a couple of songs from it, I made hand drawn T-shirts with the band's mascot on them and sang their praises to anyone who would...

There is no shortage of bands (and concertgoers) who complain about the truncated timelines associated with festival shows (they're tight and the sets are short – which guarantees that someone in the audience will say, “Gee – why couldn't they have played 'that' song?”), but those tenuous constraints feel like they may have been tailor-made to suit OFF! With a set of short songs (about a minute and a half or less on average) and a staggering amount of adrenaline,...

No matter how much buzz they might be generating at any given moment, you have to feel for the “baby band” on the bill of the biggest show of any multi-day, multi-stage music festival. It might be inconvenient to admit it, but the cards are inevitably always stacked against them; when the other bands on a card have more history, they also have a bigger fan base which will, in turn, make them the focus of the proceedings. The old-guard...

At fifteen years old, I went to my first legitimate rock concert. It was at AJ’s Hanger in Kingston, Ontario and the bands were Rusty and Hhead. During the finale, headliner Rusty’s lead singer Ken MacNeil took a stage dive and landed on top of me. So I stole his shoe. In my fifteen year old mind, I figured that if this band was playing the biggest club in my town and had music videos, they must be millionaires. I...

Signaling the non-official start to the Bay Area's outdoor Summer concert season, radio station Live 105 brought yet another "BFD" to the Shoreline Amphitheater earlier this month, and it proved to be one of their most diverse lineups yet. With three stages and a DJ tent, there was something for everybody this year, whether it was Moog infused dance music or guitar driven old school Punk Rock. The Local Band stage featured two very promising young bands in Them Rude...

No matter how much buzz they might be generating at any given moment, you have to feel for the “baby band” on the bill of the biggest show of any multi-day, multi-stage music festival. It might be inconvenient to admit it, but the cards are inevitably always stacked against them; when the other bands on a card have more history, they also have a bigger fanbase which will, in turn, make them the focus of the proceedings. The old-guard fans...

Say what you will, but the Swingin’ Utters (in spite of their name) are an important band: they’ve put out some of the most seminal street punk albums (see the Scared sessions and Streets of San Francisco), and are probably responsible for the proto-cow-punk genre that many bands are cashing in on these days (think Chuck Ragan and the legion of other folk-inspired acts that have poked their heads up over the last couple of years).  Regrettably, the Swingin’ Utters...

The Vans Warped Tour is set to kick off its seventeenth run across North America. This year’s edition will feature one of the festival's most diverse lineups with a roster that includes a mix of metalcore, pop punk and hip hop in addition to hardcore and good old fashion punk rock. Warped Tour founder Kevin Lyman recently took time to chat with Ground Control about how the renowned festival began, what he’s excited about for this year and where the...

As a longtime Neil Young fan, I have always viewed his Eighties catalogue as "lost years.” Sure – there were some great moments ("T-Bone" on Re-ac-tor, "Sample and Hold" on Trans, "Wonderin" on Everybody's Rockin') but, even as a devout fan, I don't ever go to my record collection with the express intention of putting on some Eighties Neil Young. It just doesn't happen. I respect the historical significance of this period in that Young was defying Geffen Records by...

In my mind, Bob Dylan's career really took off in 1965, when he strapped on an electric guitar and released Bringing It All Back Home. This is not just because I'm more of a rocker than a folkie, it's because his entire songwriting style changed at this point and allowed his true genius to come through. Everything before that was just prelude. Listening to this CD from a 1963 concert only confirms that feeling. First, the basics. This is a...