So is it better than their last one? Or is it worse?” asked a friend and fellow fan when I told him I was reviewing the new NOFX record. It might sound crass, but the question is valid in the eyes of some fans; over the last little while, NOFX has experimented with a bunch of new ideas and different angles to their music. Some of them have been great and some of them haven't, but fans have supported the band without fail in hopes that “whatever comes next will be awesome.” That kind of support is admirable but, after a string of perfectly average singles and EPs (“Cokie The Clown” and “My Orphan Year” were the exceptions to that), some fan would eventually notice they've been repeating that mantra for nearly ten years and wonder when a really good LP might appear from the band – if such a thing was even possible anymore.
…And then, as easy as flipping a switch, NOFX answers both questions and prayers and makes something great happen with Self Entitled. “72 Hookers” opens the record and starts warming listeners up with some skate-ready melodic hardcore guitars, and then “Fat” Mike Burkett pipes up with the words, “Seventy-two virgins could never stop a war/ But a hundred thousand hookers could beat the Marine Corps” and shows listeners the difference; the “personal growth and songwriting improvements” which developed through songs like “My Orphan Year” and “Cokie The Clown” were good, but they don't hold a candle to the social criticism that the band has always had at its core. They haven't looked at it much for a while, but the sardonic humor and critique on western domestic philosophy reappear undiminished here, and every fan will know it the moment they hear it.
That's right, it's good – but not only that, while they never really left, NOFX is back in their finest form on Self Entitled.
Throughout songs including “72 Hookers,” “I Believe In Goddess,” “I, Fatty” and “X-mas Has Been X'ed,” NOFX steps up (again) and challenges social concerns surrounding organized religion (“I don't believe in God, I believe in Goddess/ I don't believe in prayer, I believe in worship/ I don't believe in destiny, but I could be in luck/ I don't believe in people cause they don't give a fuck” from “I Believe In Goddess”), the media's objectification of women and the effect it might be having on children (“I Fatty”) and the frustrating necessity of being politically correct so that no one is left outside of society (“X-mas Has Been X'ed”) with a focused and channeled aggression of a potency that the band hasn't shown in years. Even better, the sound and ideas in it has finally been streamlined and perfected; now with Bill Stephenson manning the board (Brett Gurewitz was the last one to produce an album like this by NOFX), the band's efforts come through as muscular and incisive rather than being dogged by the same production cliches which used to appear on Bad Religion albums. The result, fans will be happy to discover, is the best NOFX album to come out in almost ten years; here, with a renewed focus and clear desire to get back to basics, NOFX just makes something great happen and proves that, not only are they still able to make this music, they're still at their best when they're doing it.
Artist:
www.nofxofficialwebsite.com/
www.myspace.com/nofx
www.facebook.com/pages/NOFX-Official-Page/
www.twitter.com/FatMike_of_NOFX
Further Reading:
Ground Control – NOFX (Discography Part One)
Ground Control – NOFX (Discography Part Two)
Ground Control – NOFX (Discography Part Three)
Ground Control – NOFX (Discography Part Four)
Album:
Self Entitled is out now. Buy it here on Amazon, or directly from Fat Wreck Chords here .
