A deeper look at the grooves pressed into the Finally Free LP by Daniel Romano. After first appearing in front of a hardcore band about fourteen years ago, Daniel Romano has taken personal delight in jumping from music genre to music genre with an impunity which proved to be incredibly infectious. From hardcore to folk to country to rock and innumerable hybrids of all those sounds, Romano has proven to have a golden touch almost as pure as David Bowie’s...

A deeper look at the grooves pressed into Rancid’s self-titled 7” EP. At this stage of their career, it’s almost impossible to envision Rancid as anything other than the four-piece ska/punk powerhouse which has been responsible for songs like “Roots Radicals,” “Ruby Soho,” “Bloodclot,” “Fall Back Down” and “Last One To Die”; they are that punk-identified pop institution. At this point in their career, the band is inextricably linked with the sound of Tim Armstrong’s cracked vocal rasp, Matt...

A deeper look at the grooves pressed into the Bela Sessions 12” reissue by Bauhaus. In order to really appreciate just exactly how radical Bauhaus was in the early stages of their career, one must recognize what they did seemingly as a matter of course – how different it was from everything else, and how boldly the band did it from day one. The group’s first release, the “Bela Lugosi’s Dead” single, is an ideal illustration of that difference; in...

A deeper look at the grooves pressed into the The Spark That Moves LP by Cancer Bats When a band gets six albums deep into their career, history has illustrated that one of two things happens: either the group releases a career-defining album, or they release the worst shit shingle in their catalogue. For every British Steel, Iron Fist, Machine Head, Divine Intervention or Sound of White Noise, there are also albums like Somewhere In Time, Take A Look In...

What a year 2018 was! Were there great releases? Heavens yes – there were enough great albums released this year that bands normally regarded as mainstays on my best-of lists of ANY year (like the Eels, for example) didn’t just get knocked down the numbers, they got knocked clean out of my ten best. Regarding metal albums specifically, Cancer Bats’ sixth album arrived and proved once more that, sometimes, a band’s sixth album can stand as proof that a good...

A deeper look at the grooves pressed into the Guide Me Back Home 3LP by City and Colour. I must confess that most regularly, live albums don’t thrill me. City and Colour albums do not often thrill me either, for that matter (long story short, while I was a big fan of Alexisonfire back in the day, I found the first two City and Colour albums staggeringly overwrought); I don’t know that I’d call my distaste for the band absolute...

A deeper look at the grooves pressed into EP by Dad Brains. Now over forty years since it first appeared, it was inevitable that punk rock was probably going to take on something that resembled a fatherly voice, somehow. How could it not? With Green Day having made concept records already and both Fat Mike Burkett and Mike Watt having produced punk rock opera albums, punk and its pillars have already begun taking on “grown up projects” (or at least...

A deeper look at the grooves pressed into the Spencer Sings The Hits LP by Jon Spencer. That the fidelity, equalization and overall sound found on a vinyl recording is unmatched by any other musical mediumto date is a claim which has been proven several times over in many place by a great many people (including by several in this column, several times over too), and one of the great examples can be found on a vinyl copy of Spencer...

A deeper look at the grooves pressed into the “Mass Apathy” 12” single by NOi!SE. It might not sound like the single most glowing endorsement of a single on the surface, but the first thing that NOi!SE’s new, milled “Mass Apathy” single illustrates is that it’s never wise to underestimate a novelty, or write one off. The bullet casing silhouettes which encircle the exterior rim of this one-sided single (the B-side features a silkscreen but no music) look neat and...

A deeper look at the grooves pressed into Light // Sound’s self-titled debut album. Since childhood, we’re taught to never judge a book by its cover or be so superficial as to make inferences about a person’s character based solely upon their exterior persona. It’s good advice – making snap judgements about the contents of an article or individual by the first sight one sees – but that doesn’t mean the first thing that potential patrons visually absorb cannot be...