Spencer Burton Coyote (Still Records/Dine Alone) I confess that I was not paying complete attention to the music initially, the first time I threw Coyote on to review it. I figured it would be easy; I put it on and started washing dishes – but I didn’t actually get any dishes washed. In fact, before the second song on the album, “Memories We Won’t Soon Forget” had finished playing, I had stopped moving completely – even that early, all I...

A deeper look at the grooves pressed into the Young & Dying in the Occident Supreme 12” EP by Mobley. Such events are undeniably rare in any language, but Mobley’s Young & Dying in the Occident Supreme is possessed of an imagination and design that is simply unheard of. The record goes out of its way to present listeners with a series of ideas which do not correlate; the A-side features six fantastic and undeniably unique pop songs while the...

A deeper look at the grooves pressed into PWR/UP by AC/DC. For basically the last thirty-eight years, AC/DC has tried a few different things and taken a few different turns to try and grow up (or age up? Or act their age?) with limited success at most. Every time the band has tried to move forward from the callous one-liners and double entendres that first helped to make them famous (Flick Of The Switch was the first occasion), AC/DC has...

A deeper look at the grooves pressed into the Jealous Butcher reissue of Infinite X’s’ self-titled album. After Longstocking met its end in 1997, singer/guitarist Tamala Poljak was clearly still riding some residual inspiration when they began assembling the music which would become Infinite X’s’ debut album. When the time finally came to start recording, the group of players assembled to comprise the band gave an ideal illustration of what it would sound like; Poljak’s pedigree was all about West...

Longstocking Singles & Demos 1994 – 1998 (Chainsaw/Jealous Butcher Records) After the release of Once Upon A Time Called Now, the lion’s share of Longstocking’s story had been told. The band had walked the trail in much the same way other groups had; they had released a couple of singles prior to their only full-length album, and the band broke up before the end of that same year. There just wasn’t a whole lot else in the band’s canon to...

A deeper look at the grooves pressed into the Jealous Butcher reissue of the Once Upon a Time Called Now LP by Longstocking. Some events simply defy the laws of probability – and that Longstocking never got a fraction of the attention the band deserved is definitely one of them. Seriously – how did the band get overlooked as much as it did? They were in the right place (in Los Angeles) at the right time (from 1995 to 1997...

A deeper look at the grooves pressed into the limited edition “Gratuitous Red” pressing of the Born Stupid LP by Paul Leary. When vinyl records made their return as one of the foremost music media in or around 2014, a lot was discussed regarding the difference in the sound and fidelity of vinyl and pretty much everything else on the market, at the time. It was an exciting moment; vinyl sales went up 280 percent from what they’d been in...

A deeper look at the grooves pressed into Dave Depper’s Europa LP. It might sound a little unusual, but sometimes an explanation is required when an artist ventures so far from their established normal creative output – if only so fans don’t get outraged because they’ve purchased something that they did not expect in any way. It doesn’t take much – explanations can often be made in a space roughly the size of a hype sticker – and then the...

The Dirty Nil Fuck Art (Dine Alone Records) Rare is the band which knows precisely who they are and actually celebrates that identity rather than asking listeners to excuse it. There’s a certain spark in the music made by bands like that – Alice Cooper Group had it, as did Dead Kennedys, Eagles of Death Metal and Green Day – and The Dirty Nil steps up boldly to prove that they’ve got it with their third album, Fuck Art. Of...

Paul Leary Born Stupid (Shimmy-Disc/Joyful Noise) When guitarist Paul Leary suddenly reappeared contributing guitar performances to The Melvins’ twentieth album, Hold It In, as well as contributing some songwriting to the project about six years ago, it felt like a shocking development. Not that Leary had vanished or retired or anything, the guitarist was simply busy with other endeavors; he developed a band or two of his own (Honky was great) as well as doing production work – so his...