WHO: Jon Snodgrass WHAT: Tace WHY: Yes, there’s a lot of overlap between Jon Snodgrass and the ALL/Descendents universe, but what makes Tace such an important album is that it’s the strongest material Snodgrass has put out in quite a while. Tace is a straight up rock/punk album with a wide range of guests, and punk rock who’s who, contributing instrumental help. It sounds exactly as one would imagine with Snodgrass’ experience: like ALL/Descendents with a south drawl. The only...
A deeper look at the grooves pressed into the Back of Our Heads LP by Kalen & Aslyn. I confess that Country balladry is not my favorite type of music. Don’t get me wrong, I can appreciate a slow song; I am absolutely capable of appreciating a love song or a slow song – but those moments when a singer just lilts his or her way along through a melody and does so through puddles of caramelized saccharine compel me...
A deeper look at the grooves pressed into the For Family and Flag Volume 1 compilation album. After the 3LP, red-covered release entitled One Country, One Flag was released two years ago, the idea that punk rock compilations were still a viable format (by then Punk-O-Rama had been retired by Epitaph and so had most of the other compilations that used to get given away for free at Warped Tour – only Fat Music For Fat People was still sort...
A deeper look at the grooves pressed into the Agricultural Tragic LP by Corb Lund. It’s genuinely hard to believe that Agricultural Tragic is Corb Lund’s tenth full-length album (fifth for New West). Since first appearing in 1995, the Alberta-based band has maintained a release schedule which has managed to illustrate consistent growth and improvement on a timeline which it’s almost possible to set one’s watch to. Not only that, when fans hear that Corb Lund has a new album...
A deeper look at the grooves pressed into the Same Old Line LP by The Spyrals. Ever wondered how much differently a record could possibly turn out when you consider the elements which went into it, reader? It might sound like a silly question, but really think about it; factor in a band’s region of origin, the tastes and sensibilities of the group’s members, the talents they have as well as the impression that they wish to leave, and the...
A deeper look at the grooves pressed into Jaime Wyatt’s Neon Cross LP. After having watched all the sonic and stylistic directions in which the artists on New West’s roster have gone, it feels more than a little reassuring to see that at least some artists are signed to a country music label because they want to make country music – and not necessarily just make music which happens to have a couple of C&W inflections in hand as that...
Art Bergmann “Christo Fascists” (digital single) (Porterhouse Records) It’s hard to know why “Christo Fascists” has been released as a standalone digital single – separate from a physical 7” or even as a track on a full length album. Something in me wants to contend that a song this good should have the widest distribution possible – as the standout song on a full-length album would be ideal – and while I understand that it’s entirely possible that a digital...
A deeper look at the grooves pressed into the 2LP Rocktober edition reissue of Ritual de lo Habitual by Jane’s Addiction. I must confess that, when I learned Warner Brothers Records was reissuing Jane’s Addiction’s third full-length album as part of their Roctober promotion, I got really, really excited. In fact, excitement barely even begins to qualify the wealth of sensations that I felt when I heard about it; the number of memories that I have associated with Ritual de...
Hitchcock Classics Collection I don’t think there’s ever been a better time to watch Hitchcock movies. If you’re familiar with him, you’ll be reminded of why his movies keep standing out after all these years, and if you’ve never watched his movies, prepare for your mind to be blown. I think people often neglect Hitchcock’s early work when they think of his filmography, like Foreign Correspondent or The Lady Vanishes, and think of him as more of a...
A deeper look at the grooves pressed into Young Culture’s self-titled album. It might have just been a matter of taking a while to finally start missing it, or maybe I just needed enough time for the memory of the “Disney-fication” of the last wave of bands to fade, but listening to Young Culture’s self-titled album has caused me to remember that I really did like and had missed pop-punk. To reiterate, that’s pop-punk – not melodic hardcore (which I...